The Bug Safari Project

Posted by David Travis on 30 Jun 2025

The Bug Safari Project

It started with caterpillars. There’s an Honesty plant in our garden, and it was crawling with Large White butterfly larvae. I took a few photos. Then I noticed something odd. That led to some research, a few more photos — and suddenly I was in the middle of a project.


Large White caterpillar

OM Digital Solutions OM-1 Mark II and Olympus M.60mm F2.8 Macro at 60.0 mm (35 mm equivalent: 120.0 mm). 1/250s at f/8.0, ISO 800.

An idyllic view of Nature. This was how it started.


Stockholm Syndrome

OM Digital Solutions OM-1 Mark II and Olympus M.60mm F2.8 Macro at 60.0 mm (35 mm equivalent: 120.0 mm). 1/60s at f/6.3, ISO 800. Focus stack of 15 images.

As I looked around the plant, I noticed that some of the caterpillars were resting on this yellow, porridge like substance. That led to some research and I discovered that Large White caterpillars are often parasitised by braconid wasp larvae that emerge and spin these yellow cocoons. This caterpillar was even exhibiting protective behaviour: when I touched it with my finger it reared up like the shark in Jaws. More research — and I discovered this is known as the “bodyguard hypothesis”. The parasitised caterpillar is still alive: it’s defending the parasites that ate it. The wasp larvae somehow manipulate it into acting like a bodyguard for their cocoons. It’s horrifying, but also… weirdly clever. Like Nature’s equivalent of Stockholm syndrome.


Nature most brutal

OM Digital Solutions OM-1 Mark II and Olympus M.60mm F2.8 Macro at 60.0 mm (35 mm equivalent: 120.0 mm). 1/100s at f/6.3, ISO 800.

That got me looking at more caterpillars to see if I could observe one where the wasp parasites were emerging. In the previous image, the parasitisation looks too peaceful. I wanted to show Nature with its gloves off. It took a while, but I found this one where the wasp larvae are emerging from the caterpillar's body.


Large White Chrysalis

OM Digital Solutions OM-1 Mark II and Olympus M.60mm F2.8 Macro at 60.0 mm (35 mm equivalent: 120.0 mm). 1/100s at f/4.0, ISO 200. Focus stack of 49 images.

Just to end this section on a happier note, some of the caterpillars do indeed manage to survive. This particular chrysalis was adhered to a window. A macro lens reveals that the chrysalis is full of texture, translucency and subtle markings.


Buff Arches

OM Digital Solutions OM-1 Mark II and Olympus M.60mm F2.8 Macro at 60.0 mm (35 mm equivalent: 120.0 mm). 1/100s at f/4.0, ISO 400. Focus stack of 63 images.

I was getting drawn in so I decided to invest in a moth trap and see what else I could discover. On the first night, I was overwhelmed: I must have caught upwards of 150 moths and there were around 20 or so different species. I could only photograph a subset before letting them go.


Buff-tip moth

OM Digital Solutions OM-1 Mark II and Olympus M.60mm F2.8 Macro at 60.0 mm (35 mm equivalent: 120.0 mm). 1/100s at f/4.0, ISO 800. Focus stack of 23 images.

One aspect of moths that interested me was mimicry (or more accurately, how they often masquerade as something other than a moth). I was gobsmacked when I discovered this Buff-tip moth. This isn’t camouflage in the usual sense. It’s masquerade: not hiding by blending in, but by pretending to be something else. A broken twig, in this case.


Buff-tip moth

OM Digital Solutions OM-1 Mark II and Olympus M.60mm F2.8 Macro at 60.0 mm (35 mm equivalent: 120.0 mm). 1/100s at f/4.0, ISO 400. Focus stack of 63 images.

This is one of the most beautiful insects I've ever photographed. At rest, it looks just like a broken birch twig. The camouflage is astonishing. I just couldn’t stop admiring it.


Coxcomb Prominent

OM Digital Solutions OM-1 Mark II and Olympus M.40-150mm F2.8 at 150.0 mm (35 mm equivalent: 300.0 mm). 1/200s at f/4.0, ISO 400.

This Coxcomb Prominent is another example of a moth masquerading as something else. Again, it looks like part of a snapped branch.


Peppered Moth

OM Digital Solutions OM-1 Mark II and Olympus M.60mm F2.8 Macro at 60.0 mm (35 mm equivalent: 120.0 mm). 1/100s at f/4.0, ISO 200. Focus stack of 25 images.

The Peppered Moth is quite literally a textbook example of natural selection. I placed this Peppered Moth on a nearby tree to photograph it. It may not look like it in this close-up photograph but the moth was very difficult to see against the bark, almost invisible.


Lesser Swallow Prominent

OM Digital Solutions OM-1 Mark II and Olympus M.60mm F2.8 Macro at 60.0 mm (35 mm equivalent: 120.0 mm). 1/100s at f/4.0, ISO 200. Focus stack of 33 images.

This is another common moth — common but beautiful.


Light Emerald

OM Digital Solutions OM-1 Mark II and Olympus M.60mm F2.8 Macro at 60.0 mm (35 mm equivalent: 120.0 mm). 1/100s at f/4.0, ISO 800. Focus stack of 39 images.

This moth with its paper-thin wings would be heralded if it flew in the daytime.


Common Footman

OM Digital Solutions OM-1 Mark II and Olympus M.40-150mm F2.8 at 150.0 mm (35 mm equivalent: 300.0 mm). 1/500s at f/4.0, ISO 1000.

British moth names come from an era when gentlemen scientists named moths from behind a sherry glass, with a servant hovering nearby. You can almost imagine Lord Mothy McMothface in a drawing room with heavy curtains, thick with pattern, embroidered everything.


Dark Arches

OM Digital Solutions OM-1 Mark II and Olympus M.60mm F2.8 Macro at 60.0 mm (35 mm equivalent: 120.0 mm). 1/100s at f/4.0, ISO 400. Focus stack of 47 images.

Identifying moths is an art unto itself. I now have two books and various web sites I use to try to identify them. At first I confused this Dark Arches with a Peppered Moth but once you look closely it’s much easier to see how they differ.


Peppered Moth and Green Arches

OM Digital Solutions OM-1 Mark II and Olympus M.60mm F2.8 Macro at 60.0 mm (35 mm equivalent: 120.0 mm). 1/100s at f/4.0, ISO 400. Focus stack of 37 images.

I carefully placed these moths onto this piece of bark. I’ve no idea if they would roost next to each other in the real world.


Cockchafer

OM Digital Solutions OM-1 Mark II and Olympus M.60mm F2.8 Macro at 60.0 mm (35 mm equivalent: 120.0 mm). 1/100s at f/4.0, ISO 400. Focus stack of 46 images.

This cockchafer flew into the moth trap, so I decided to include him in my haul of interesting insects.


Violet Ground Beetle

OM Digital Solutions OM-1 Mark II and Olympus M.60mm F2.8 Macro at 60.0 mm (35 mm equivalent: 120.0 mm). 1/100s at f/4.0, ISO 400. Focus stack of 99 images.

This beastie appeared when I was sweeping out my garage. As I had my camera set up prepared for macro photography, I decided to include him too.


Eyes Opened

One of the many characteristics I enjoy about photography is that it makes me notice: it makes me open my eyes to the world and discover new activities. For example, I was never much of a walker until I took up landscape photography — and now I enjoy hiking for its own sake. I suspect that a similar thing may happen with moths: what started as “that might make a good picture” is quickly becoming “these are fascinating in their own right.”

I can see a new project emerging from its chrysalis!


If you liked this, try…

Puffins Galore!

14 Aug 2024

Damselfly photography

30 Jul 2021

Backyard Bird Photography

13 Jun 2019

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