Notes on a trip to the Dingle Peninsula

Posted by David Travis on 05 Mar 2025

Notes on a trip to the Dingle Peninsula

In February I made a trip to the Dingle Peninsula with some photography friends.

I’d never been to this part of Ireland before and was amazed at seeing so much geology in such a small area. Towering sea cliffs, folded rock formations, and sweeping beaches tell a story of immense geological forces at work.

Here are some of the images I captured during my time on the peninsula.


Sleeping Giant

OM Digital Solutions OM-1 Mark II and Olympus 12-40mm F2.8 at 40.0 mm (35 mm equivalent: 80.0 mm). 1/250s at f/5.6, ISO 200.

The Sleeping Giant (part of the Blasket Islands) is a well-known rock formation off the coast of the Dingle Peninsula. Over time, the Atlantic Ocean has eroded the rock, carving out its distinctive shape. From this angle, the island resembles a giant lying on its back in the water, with the head, chest, and body forming distinct shapes. If some of those cloud formations were slightly to the right, I think it would look like he was snoring.


Cappagh Beach sunrise

OM Digital Solutions OM-1 Mark II and LEICA DG 8-18mm F2.8-4.0 at 18.0 mm (35 mm equivalent: 36.0 mm). 1/160s at f/8.0, ISO 200.

At low tide, small pools and exposed rocky outcrops add interest to compositions, in this case featuring Mount Brandon in the distance.


First Light on Cappagh Beach

OM Digital Solutions OM-1 Mark II and LEICA DG 8-18mm F2.8-4.0 at 8.0 mm (35 mm equivalent: 16.0 mm). 1/20s at f/8.0, ISO 200.

The rocks here, like much of the Dingle Peninsula, are Old Red Sandstone, dating back to the Devonian period (around 400 million years ago).


Cappagh Beach before sunrise

OM Digital Solutions OM-1 Mark II and Olympus 12-40mm F2.8 at 12.0 mm (35 mm equivalent: 24.0 mm). 1/10s at f/8.0, ISO 200.

What caught my attention here were the intricate patterns in the sand. Some were delicate, almost like fingerprints left behind by the sea, while others had a more dramatic, sculpted look. The low, pre-dawn light seemed to give them extra definition, creating subtle shadows that made the textures more pronounced.


Receding Tide

OM Digital Solutions OM-1 Mark II and Olympus 12-40mm F2.8 at 35.0 mm (35 mm equivalent: 70.0 mm). 4s at f/8.0, ISO 200.

I took this image on Coumeenoole Beach. Definitely not a swimming beach, the strong currents and crashing waves give the beach a rugged, untamed feel.


Incoming storm at Clogher Head

OM Digital Solutions OM-1 Mark II and Olympus 12-40mm F2.8 at 26.0 mm (35 mm equivalent: 52.0 mm). 1/1000s at f/8.0, ISO 200.

It wouldn’t be Ireland if we didn’t get the occasional passing storm. This one happened while we were at Clogher Head, a headland on the western edge of the Dingle Peninsula. My camera was initially pointed the other way, capturing the coastal view. I turned around when I saw this hiker walking towards the rainbow.


Dunmore Head I

OM Digital Solutions OM-1 Mark II and LEICA DG 8-18mm F2.8-4.0 at 11.0 mm (35 mm equivalent: 22.0 mm). 60s at f/8.0, ISO 200.

Dunmore Head is the furthest west you can stand in Ireland, making it the last stop before America. We visited a few times at sunset but it was a tricky location to photograph because I was shooting into the sun. This created contrasty images, although I did like the composition I achieved here.


Dunmore Head II

OM Digital Solutions OM-1 Mark II and Olympus 12-40mm F2.8 at 14.0 mm (35 mm equivalent: 28.0 mm). 1s at f/8.0, ISO 200.

For this composition, I moved further down the 'head' so that I could feature these foreground rocks. Even at sunset, once the sun had disappeared behind the island on the horizon, it was still a contrasty scene as the sea was reflecting the light in the sky.


Dunmore Head by Drone

DJI Mini 4 Pro and 6.7mm f/1.7 lens (35 mm equivalent: 24.0 mm). 1/4000s at f/1.7, ISO 120.

In this drone shot I’m photographing back towards myself. The light was behind the camera and so was a bit more forgiving. With such a dramatic coastline, you can see why Dunmore Head was used as a filming location for Star Wars: The Last Jedi.


Lookout Post

OM Digital Solutions OM-1 Mark II and LEICA DG 8-18mm F2.8-4.0 at 8.0 mm (35 mm equivalent: 16.0 mm). 1/320s at f/8.0, ISO 200.

At the top of Dunmore Head I found a small, abandoned lookout structure. I thought it was a historic fortress due to its strategic location overlooking the Atlantic but some internet research taught me it is actually a WWII-era lookout post, part of Ireland’s neutrality watch system during the war.


Lines in the landscape

Top Left: OM Digital Solutions OM-1 Mark II and Olympus 12-40mm F2.8 at 12.0 mm (35 mm equivalent: 24.0 mm). 1/40s at f/8.0, ISO 200.

Top Right: OM Digital Solutions OM-1 Mark II and Olympus 12-40mm F2.8 at 12.0 mm (35 mm equivalent: 24.0 mm). 1/30s at f/8.0, ISO 200.

Bottom Left: DJI Mini 4 Pro and 6.7mm f/1.7 lens (35 mm equivalent: 24.0 mm). 1/640s at f/1.7, ISO 100.

Bottom Right: DJI Mini 4 Pro and 6.7mm f/1.7 lens (35 mm equivalent: 24.0 mm). 1/640s at f/1.7, ISO 100.

The sand patterns and rock striations make interesting subjects for semi-abstract images.


Ballydavid, towards the Three Sisters

OM Digital Solutions OM-1 Mark II and Olympus 12-40mm F2.8 at 15.0 mm (35 mm equivalent: 30.0 mm). 2.5s at f/8.0, ISO 200.

The Three Sisters are formed from Devonian Old Red Sandstone, the same ancient rock that makes up much of the Dingle Peninsula’s rugged coastline. The Atlantic’s constant erosion has shaped these headlands over millennia, carving out their distinctive peaks.


Reflections

As a landscape photographer, I often think I should learn more about geology. Right now, I just admire the work that waves, ice, tectonic plates and lots of time have created. I’m already thinking about the next time I can get back to this incredible place.


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