A magical day at Wyming Brook

Posted by David Travis on 3 Dec 2024

A magical day at Wyming Brook

When people think of woodland and streams in the Peak District, they tend to associate it with Padley Gorge. Padley is, without doubt, a stunning spot, but it can get busy with photographers. And, personally, I find it difficult to make clear compositions there – Padley’s scenes tend to be busy, tangled, and complex.

Autumn Stream with Ferns

OM-1 Mark II and Leica DG 8-18mm lens at 8mm. 2s at f/5.6, ISO 200. Kase magnetic polariser and 3 stop ND filter. 2 stop soft graduated filter.

Wyming Brook, on the other hand, is a smaller, more intimate location just outside Sheffield. Unlike Padley, it’s much easier to set up a tripod directly in the stream (so long as you’re equipped with a good pair of wellies). It’s a quiet, magical location covered in moss and ferns.

Misty Cascade

OM-1 Mark II and Leica DG 8-18mm lens at 9mm. 2s at f/5.6, ISO 200. Kase magnetic polariser and 3 stop ND filter. 1 stop soft graduated filter.

I headed over to Wyming Brook on a misty autumn morning, hoping to catch the location at its best. I’ve visited before, and my plan of action was to leave the car park and walk about three-quarters of a mile down to the bottom of the stream. (On this occasion, the walk was slightly longer than usual as, midway down, I realised that I had left my tripod in the car…)

Autumn Rocks

OM-1 Mark II and Leica DG 8-18mm lens at 18mm. 2s at f/5.6, ISO 200. Kase magnetic polariser and 3 stop ND filter. 2 stop soft graduated filter.

Once at the bottom, I worked my way slowly back up, stopping whenever I spotted a composition that appealed to me.

Boulder Ballet

OM-1 Mark II and Leica DG 8-18mm lens at 13mm. 1.6s at f/5.6, ISO 200. Kase magnetic polariser and 3 stop ND filter. 1 stop soft graduated filter.

As always, Wyming Brook was delightful, but on this day, with the autumn colour and the mist veiling the trees, it was spectacular. I spent a good four hours there, though it whizzed by.

Whispers of Green and Gold

OM-1 Mark II and Leica DG 8-18mm lens at 12mm. 1.3s at f/5.6, ISO 200. Kase magnetic polariser and 3 stop ND filter. 2 stop soft graduated filter.

This sense of losing time, of completely immersing myself in the moment, is one of the reasons I enjoy photography. It’s a meditative experience that lets me achieve a state of flow, where I’m fully engaged with the landscape and the challenge of finding compositions that work photographically. I had to remind myself to take a break for a sandwich and a flask of tea.

Moss and Motion

OM-1 Mark II and Leica DG 8-18mm lens at 18mm. 2.5s at f/5.6, ISO 200. Kase magnetic polariser and 3 stop ND filter. 1 stop soft graduated filter.

I’ve heard another landscape photographer say that “going out is going in”. This idea of photography as an introspective activity really resonates with me.

Rushing Waters

OM-1 Mark II and Leica DG 8-18mm lens at 11mm. 3.2s at f/5.6, ISO 200. Kase magnetic polariser and 3 stop ND filter. 2 stop soft graduated filter.

This trip was a reminder that in photography, the experience itself is often just as valuable as the images you bring home.

Woodland Bridge in Autumn Mist

OM-1 Mark II and Leica DG 8-18mm lens at 10mm. 2s at f/5.6, ISO 200. Kase magnetic polariser and 3 stop ND filter. 1 stop soft graduated filter.


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